Vinyl Record Mailers

A vinyl record mailer is a die cut cardboard mailer built to ship 7 inch and 12 inch records without warping or corner crush. Heavy corrugated board, locking flap, printed to your artwork, no minimum order.

Pricing depends on size, material, and quantity, request a free quote

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Shipping and Turnaround

Standard production runs 7 to 14 business days, depending on the box style, print method, and finishing you choose, a simple kraft mailer moves faster than a box with foil stamping or spot UV. Need it sooner? We handle rush requests case by case, so email us your deadline before you place the order and we’ll tell you straight whether we can hit it.

Shipping is free on every order, in the United States and internationally. We ship with FedEx, UPS, USPS or DHL depending on your location and order size, and you’ll get a tracking number as soon as your order leaves our facility.

  • Standard turnaround: 7 to 14 business days
  • Rush orders: handled case by case, contact us with your deadline
  • Shipping: free worldwide via FedEx, UPS, USPS, or DHL
  • Tracking: provided once your order ships
A courier handing a kraft shipping box out of a delivery van

A vinyl record mailer is a rigid corrugated mailer sized to a 12 inch LP, with a locking flap and stiffened side walls that stop the disc shifting in transit. We make them printed to your artwork with no minimum order.

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Free design and dielines, free samples, no minimum order, and we beat any competitor’s written quote. Your logo in full color, fast turnaround.

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Shipping vinyl is unforgiving. A record that arrives with a split seam, a dinged corner, or a warped disc turns a happy customer into a refund and a one-star review, and an ordinary box was never built for the job.

The three ways a record gets damaged in the mail

Almost every claim comes down to one of three things, and only two of them are the mailer’s fault.

Seam splits. The record slides inside a box that is a little too big, builds momentum, and punches the corner of the jacket through the seam. This is the classic “record-shaped hole” and it is entirely a fit problem. A mailer sized to the record, with flaps that clamp it, does not do this.

Corner crush. The parcel lands on a corner, and a flat mailer with no stiffening folds. The jacket corner goes with it. Collectors grade sleeve corners as carefully as they grade the vinyl, so a crushed corner is a real loss even when the disc plays perfectly.

Warping. This one is not the mailer. Warping is heat and sustained pressure, usually a parcel left in a hot vehicle or stacked flat under weight for days. No amount of board prevents it. Shipping records upright where you can, and avoiding the hottest months for long transit, does more than packaging ever will.

Sizes and how many records go in

Seven-inch singles and 10-inch records get their own sizes rather than being padded out inside a 12-inch box, which is how singles end up rattling and damaged. The sizing detail that catches most people out is further down this page: you measure the jacket, not the disc.

Capacity changes the build, not just the depth. A one-to-two record mailer can rely on the flaps alone to hold the contents still. Once you are past about five records the stack has real weight and needs a deeper wall and a stronger board to keep its shape. Twenty-five and fifty count mailers are a different product again, closer to a shipping carton with a record-sized footprint.

Tell us the record size and the maximum count you will ship, and the mailer is built to that rather than to a catalog size that nearly fits.

Why a record mailer is not just a flat box

The defining feature is the folding stiffener. The side walls fold in and lock over the face of the record, so the disc is held between two layers of board across its whole width rather than sitting loose in a cavity. That is what stops the sliding that causes seam splits, and it is what a plain mailer box cannot do however snug you cut it.

The second feature is the self-locking flap. A record mailer closes without tape holding the structure together, so the mailer keeps its strength even if the tape lifts in the sorting machinery.

Board and wall

Single wall corrugated handles one to a few records comfortably and keeps the parcel light, which matters when you are shipping a lot of them. Double wall earns its place on multi-record orders, on box sets, and on anything going a long distance or internationally, where the parcel is handled more times.

If you ship a mix, it is usually simpler to run two sizes than to force everything into one. A single record rattling around in a five-count mailer is the same fit problem as a bare box.

Media Mail, and what it means for your packaging

In the United States, sound recordings including vinyl records qualify for USPS Media Mail. It is meaningfully slower than other classes, it can be inspected, and it may only contain qualifying media, so a record with a t-shirt tucked in no longer qualifies.

That matters for packaging in two ways. Media Mail parcels spend longer in the network and are handled more, so the case for a locking, stiffened mailer is stronger than it would be on a two-day service. And because the class is inspectable, printed mailers that clearly read as a record shipment tend to move through with less friction than an unmarked box.

The outside of the mailer is doing work

A record mailer is one of the few pieces of packaging a customer photographs before they open it. Labels, bands, and Discogs sellers who print the mailer get a second impression out of a parcel that was going to ship anyway.

We print full color across the outside, and inside the flap if you want a message that lands when the record comes out. Kraft with a one-color logo works as well as full-bleed artwork, and it suits a lot of independent labels better.

Bulk, reorders, and small runs

There is no minimum order, so a first pressing of three hundred can have its own printed mailer rather than a plain brown one. Once the dieline is approved, reorders run from the same file, so a repress or a second release in the same format is quick.

Free design and dielines, free samples, free shipping, and we will beat any written quote you already have.

Specification

Record sizes7 inch, 10 inch, and 12 inch LP
CapacityBuilt to your maximum record count, from single-record to multi-record and box set depths
ConstructionDie cut corrugated with folding stiffener wings and a self-locking flap
BoardSingle wall or double wall, chosen by record count and shipping distance
PrintingFull color outside, and inside the flap if you want it
FinishesKraft, white, or printed; matte or gloss
SizesBuilt around your record and count rather than a fixed catalog size
Minimum orderNone
Turnaround7 to 14 business days after artwork approval

Questions people ask before they order

What size mailer do I need for a single LP?

A 12-inch mailer, sized to take a jacket that is a fraction over 12 inches square. What matters more than the nominal size is the fit: the mailer should hold the record without room to slide, because sliding is what splits seams.

Can one mailer handle both singles and LPs?

It can, but it should not. A 7-inch single in a 12-inch mailer has room to move, and movement is the main cause of damage. If you ship both formats regularly, two sizes is the right answer.

How many records fit in one mailer?

Anything from one to fifty, but the build changes as the count rises. Past about five records the stack has enough weight to need a deeper wall and stronger board. Tell us your maximum count and the mailer is designed around it.

Will a mailer stop records warping?

No, and anyone who tells you otherwise is selling something. Warping is caused by heat and sustained pressure, not by impact. A good mailer prevents seam splits and corner crush, which are the two damage types packaging can actually control.

Can I ship these Media Mail?

Yes. Vinyl records qualify as sound recordings under USPS Media Mail in the United States. It is slower and the contents can be inspected, and the parcel must contain only qualifying media, so adding a shirt or a poster takes it out of the class.

Do you print on the inside?

Yes. The inside of the flap is the panel the customer sees first when the mailer opens, and it is a natural place for a thank you, a download code prompt, or the release name.

Can I order a small quantity?

Yes. There is no minimum, so a run sized to a single pressing is a normal order here.

Need cushioned shipping? See our bulk bubble mailers.

Product Overview

A 12 inch LP mailer is normally 12.5 by 12.5 inches internally, because the jacket is about 12.375 to 12.40 inches square rather than the 12 inches the record measures. Width and height are fixed by the format, so depth is the variable, and multi depth scoring lets one blank close anywhere from half an inch to two inches for different quantities. 32 ECT single wall suits one to three LPs, above which a heavier grade or a double wall is the sensible move. Free design, free dielines and free samples, with no minimum.

Learn More About Vinyl Record Mailers

The measurement that matters is the jacket, not the record

A 12 inch record is 12 inches across. The jacket it lives in is not. That difference is where most badly sized mailers come from.

FormatDisc diameterJacket or sleeve
12 inch LP12 inabout 12.375 to 12.40 in square
10 inch EP10 inabout 10.0 to 10.25 in square
7 inch single7 in7.0 in square, or 7.125 to 7.25 in with a picture sleeve

Sources disagree slightly on the jacket figures, and that is not sloppiness on their part. Jackets genuinely vary between pressing plants and between eras, and a gatefold is thicker than a single pocket. We publish the range rather than a single number because the range is the truth, and because a mailer sized to the tightest figure in it will not close on half the records people actually ship. Design to the top of the range and add clearance. For a 12 inch LP that lands at roughly 12.5 inches square internally, which is why almost every LP mailer on the market is 12.5 by 12.5.

Depth is the variable, not width

Width and height are fixed by the format. Depth is what changes with how many records you are sending, and it is the dimension people get wrong. Most LP mailers are built with scored fold lines so one blank closes at more than one depth, commonly anywhere from half an inch up to two inches. A single record needs very little depth. A stack needs more, and beyond a few records the mailer stops being a mailer and starts being a box, which is a different construction and usually a double wall one. If you are sending mixed quantities, a multi depth blank is the simpler answer than stocking three sizes. Tell us the range you ship and we will score it for that range.

What a record actually weighs

ItemTypical weight
12 inch LP, disc only140 to 200 g
12 inch LP with jacket and inner sleeve230 to 300 g
12 inch LP packed with stiffeners in a mailer250 to 350 g
7 inch single, disc only40 to 50 g

This matters for two reasons. It decides which postage band you land in, and it tells you how much energy the parcel carries when it is dropped. A single LP is light. Six of them are not, and the failure mode changes from a bent corner to a split seam.

Why records get damaged, and it is not usually the box

Records fail in specific ways and each has a different fix.

Seam splits on the jacket. Caused by the record moving inside a mailer that is too deep. The disc has mass and the jacket does not hold it. Fix the depth, not the board.

Corner dings. Caused by the jacket sitting flush against the mailer wall with no clearance. This is the argument for stiffeners and for not sizing too tight.

Warping. Heat, not impact. A mailer cannot prevent it, and any supplier who says their board stops warping is selling you something.

Split mailer seams. This one is the board. It shows up with multiple records, which is the case for a heavier grade or a double wall.

Board grade

32 ECT single wall is the common grade for record mailers and it is adequate for one to three LPs. Above that, the sensible move is a heavier grade or a double wall, because the weight and the leverage both go up. ECT and Mullen are two different tests and the equivalency rows between them are a carrier classification rather than a conversion. Our corrugated board specification reference covers that in full, including the maximum weight each row is rated for.

What to tell us

Format and quantity range. Twelve inch, ten inch or seven inch, and how many per parcel at the low and high end.

Whether any are gatefolds. A gatefold is materially thicker and changes the depth scoring.

Whether you want stiffeners. They are a separate item and they change the internal clearance you need.

Print or plain. Design and dielines are free either way, and free samples are available before a run. Setup is a fixed cost, so the unit price falls as the run gets larger.

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